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Abstract

This book review offers a compelling examination of Khaled Hosseini's portrayal of Pashtun and Hazara identities in his acclaimed novel, *The Kite Runner*. Through a literary-ethnographic lens, the research delves into how narrative techniques can construct, amplify, or distort ethnic representations, particularly within the tumultuous backdrop of Afghanistan. The novel is scrutinized for its stark depiction of Pashtuns as oppressors and Hazaras as perennial victims, which risks perpetuating a simplistic and problematic singular narrative. Employing a library-based qualitative approach, this paper thoughtfully interprets textual evidence within the rich sociocultural and historical landscape of Afghanistan. The findings reveal that while the novel captures certain authentic realities of ethnic tensions, it often generalizes or dramatizes events, sparking a vital discussion about the responsibilities of diasporic authors and the profound impact fiction can have on ethnic discourse. Furthermore, this study underscores the significance of inclusive literary narratives in educational spaces, advocating for a broader understanding of diverse voices and experiences.

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